D’Angelo came out with one of my favorite albums last year and I wrote a review for it in my local newspaper. Here’s an except:

This month, people of all walks of life organized protests in the Bay Area, taking over the streets, freeways, and city halls in solidarity to fight against police brutality and racial profiling against people of color. Against this backdrop, D’Angelo released Black Messiah, a highly anticipated album with a timely message.

I had just come from a weekend of marching in Oakland when D’Angelo shocked the music world with the long awaited album. It was 14 years ago that he gave us his soulful R&B album Voodoo, so new material was long overdue.

Best known for his gospel roots and soul influence, D’Angelo’s quieter career period wasn’t a completely silent one. He started playing new instruments that helped develop a band, the Vanguard, for his new sound on Black Messiah.

Check out the full article on The Richmond Pulse here.